Transferware: How to Identify and Value a Traditional Printed China

Updated on July 8, 2020
Dolores Monet profile image

After inheriting her grandmother's collection of antiques, Dolores has maintained an interest in the care and sale of vintage items.

Transferware | Source

Transferware is a style of decorated china created to sell to the emerging middle class of the Industrial Revolution in England. First produced in the late 1700s, the style caught on and has remained popular since the early 1800s.

Before the transferware technique was developed, porcelain china was hand painted and very expensive. The new technique made beautiful dishware affordable for the middle and working class.

Transferware is made with ironstone china, developed by Miles Mason in the 1780s and patented by his son, Charles James Mason, in 1813. Made of ironstone slag, flit, Cornish stone, and clay; ironstone is heavier and thicker than porcelain and much more durable.

A hand-engraved copper plate was used to print designs on paper. The printed paper was pressed, pigment side down, on the item to be decorated. The paper was then floated off in water or burned off in the kiln. The result is a beautiful, often intricate design.

Most transferware features a white background with a one-color pattern. Blue on white is the classic traditional color combination. Another color could be added by hand or by means of another transfer. Images include landscapes, animals, architecture, and florals. The romantic themes on this beautiful dishware were popular as the West moved into the Industrial Revolution.

Early Transferware

The Victorians were fascinated with foreign places and especially interested in areas outside Europe. Many early transferware patterns show scenes from what they called "the Orient," meaning places to the east of Europe. Popular early themes featured images of the Middle East, India, and China.

During the early Victorian era, traveling artists created beautiful illustrations of far off places. Photography had not been invented yet, so these illustrations offered people in the West images of Asia and the Middle East. Traveling artists could fund their excursions by publishing illustrations of foreign scenes. Others accompanied wealthy travelers to create souvenir drawings of their travels.

Potters copied entire illustrations, parts of illustrations, or mash-ups of several illustrations for transferware china.

Mason's Watteau pattern in mulberry circa early 1920s.
Mason's Watteau pattern in mulberry circa early 1920s. | Source

How to Identify Transferware

The undersides of most pieces of transferware (as well as most other china) show a mark, or backstamp that can help identify the maker, pattern, and year or decade of manufacture. If you see an obvious date on the back of a plate, it usually refers to the year that a pattern was introduced or registered with a patent office, not the date that specific piece was made.

You can research marks in a book or check out an online database.

Some backstamps show the name of the producer while others rely on an image. Some show both. The mark of a particular company can change over the years. Marks that do change usually maintain an iconic image but may shift the placement of, say, a scroll or crown. Color changes in marks can also help you learn the time of manufacture.

Marks can include numbers, letters, company names, country of origin, animals, scrolls, sunbursts, etc. The famous Staffordshire knot, for example, appears on the marks of a variety of potteries located in Staffordshire. It looks like a pretzel.

From 1842–1883, transferware and other china made in England featured a diamond backstamp. The diamond mark indicates a registration number for the British Patent Office. The marks can help date a piece. For example:

From 1842–1867, a number shows on the right side corner of the diamond.

From 1868–1883, a letter appears on the right corner of the diamond.

The diamond is full of codes that can help you to learn more about your item. You can google a brief description of a particular mark to help identify your transferware. There are thousands of backstamps.

Cup with no handles - Ridgway's University Pattern circa 1840s
Cup with no handles - Ridgway's University Pattern circa 1840s | Source

Clues to Understanding the Age of Transferware

Sometimes you can make a wild guess as to age, which can help identify a pattern. The cup shown above has no marking on the bottom as the backstamp was only on the missing saucer. Teacups without handles pretty much fazed out by the late 1840s. So I looked up the image which appeared to be a British university and included the words "antique," then "early 1800s" in my search. It did not take long to learn that the cup was Ridgway's University pattern popular in the 1840s.

The are other clues to learn the age of transferware. The McKinley Tariff Act of 1891 mandated the name of the country of origin on all china imported into the United States. So if your plate shows "England" on the mark, it was likely made after 1891 for the U.S. market.

  • The word "Limited" or the initials "Ltd." indicate that a piece was produced in England after 1861.
  • "Detergent Proof" was introduced in 1941.
  • "Dishwasher Proof" or "Dishwasher Safe" was introduced in 1955.
  • Newer transferware shows a brighter white background in the pattern than older items, which may appear dull or creamy white.
  • Old marks are smaller than newer marks, as you can see in the photograph below.
  • Older marks are about an inch or so wide, while newer ones may be 2–3 inches wide.

Pattern styles can also be a general clue to age. The earliest pieces showed an Asian influence. In the mid-1800s, patterns became complex with scalloping and gilding. By the late 1800s and into the early 1900s, patterns showed more white in the background.

The plate on the right is older than the one on the left. Note the smaller mark on the Tonquin produced from the late 1940s into the 1950s.
The plate on the right is older than the one on the left. Note the smaller mark on the Tonquin produced from the late 1940s into the 1950s. | Source
  • As you can see in the marks above, newer pieces feature more ornate marks than those produced before the 1960s.
  • No glaze on the bottom rim of a piece of transferware usually means that it is a newer product.
  • Older pieces often show crazing (a web of tiny intersecting lines), while newer pieces do not. Occasionally, new items aiming to look old are created with crazing. During the collecting craze of the late 19th century, reproductions were common. Some were made for simple enjoyment while others were made to hoodwink buyers into paying more for a piece by pretending it was antique.

New transferware is still being produced today. The new pieces are not made with the old labor-intensive techniques but with modern methods. Some artists produce transferware pieces the old way.

An example of crazing on the back of an older plate
An example of crazing on the back of an older plate | Source

Famous Examples of Transferware

Flow Blue is a valuable and interesting example of transferware. Introduced in 1830, Flow Blue was created when the cobalt pigment bled outside the lines creating a slightly, or sometimes extremely smudged look. Some experts claim the flow was an accident at first, while others claim it was intentional. However the idea was conceived, the china's popularity in the United States encouraged a purposeful hazing of the lines in the patterns.

Blue Willow is probably the most well-known example of transferware. The pattern features a Chinese scene with hills, a pagoda, pine trees, a willow tree, a bridge, a boat, and two doves in flight. Originally created in 1780, the pattern appears in many variations created by many producers and has remained popular for over 200 years.

Flow Blue is characterized by a blurred image and decorations
Flow Blue is characterized by a blurred image and decorations | Source

How to Value Trasferware

The best value for transferware is in old, Victorian examples. Early Asian influenced designs and items featuring images of American historic views from 1820–1840 are in high demand. Though Flow Blue is popular and can be quite valuable, so much was produced that there is a lot of it out there.

Less common colors can be quite valuable. Though blue and white has always been the favorite, transferware shows up in purple, mulberry, brown, black, green, cranberry, and gray. Few yellow patterns were made, so the limited number means that authentic antique yellow transferware is rare. Rarity equals value.

Unique, unusual, or less frequently made pieces are more valuable than those more widely produced. Think of it this way; if you were buying a set, you'd have many plates but only one tea pot.

A teapot or footed soup tureen would be made less often than a bowl. There are parts that could easily break, such as lids, handles, spouts, or feet. This makes the rarer piece more valuable. There are simply fewer of them available on the market.

You may find a particular intact teapot but are less likely to find an intact set of teapot, sugar bowl, and creamer, making the set more valuable than the sum of each of its parts if they were sold separately.

Damaged goods rarely hold value. However, antique items in high demand may show minor chips and crazing yet still hold value.

Do not rely on price guides to decide on a value for an item. Prices change quickly. While older books can help you identify your dishware, the suggested value in an older book will not reflect today's market. Many more common pieces have decreased in value since the end of the collecting craze.

After you identify your piece of transferware, shop around online or at antique shops or malls. Check sold prices. Remember that a suggested price can be misleading. Some sellers have high hopes and misrepresent the actual value of a piece in order to make money.

For Further Reading

A Pictorial Guide to Pottery and Porcelain Marks by Chad Lage

Miller's Antique Marks by Judith Miller

English Transferware : Popular 20th Century Patterns by Joe Keller

You can also check out the Transferware Collector's Club online for links, book lists, and other information.


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    • Dolores Monet profile imageAUTHOR

      Dolores Monet 

      62 minutes ago from East Coast, United States

      Hi Mona - I too love the old fashioned dishware but today's young people go for simple designs with less "fussy" decoration. Lucky for lovers of flowery or picturesque dishware because the decrease in demand makes them more affordable.

    • grand old lady profile image

      Mona Sabalones Gonzalez 

      15 hours ago from Philippines

      This is such a highly informative article. The dishes of the past were really so much more beautiful than the ones we have now.

    • Dolores Monet profile imageAUTHOR

      Dolores Monet 

      3 months ago from East Coast, United States

      Hi Pamela - it can be quite a job to identify your old china but after awhile you get a feel for how to search. I had so many old pieces but most of my transferware is new. That way I can use it!

    • Dolores Monet profile imageAUTHOR

      Dolores Monet 

      3 months ago from East Coast, United States

      Hi Flourish - I have not bought a new plate for years but have seen those gigantic plates and have wondered the same. Fortunately for the big plate fillers, there are a lot of giant chairs out there as well.

    • Dolores Monet profile imageAUTHOR

      Dolores Monet 

      3 months ago from East Coast, United States

      Hi Jill - thank you. Yep, Flow Blue is so beautiful. I have a few pieces that belonged to my great

      grandmother. I never met her but it's so cool to have those pieces that I am sure meant a lot to her.

    • Pamela99 profile image

      Pamela Oglesby 

      3 months ago from Sunny Florida

      I think the transferware is beautiful. I like the colors and designs. I am going to take a look at my china when I get done here. I have inherited some from my mother, so I will check that out. This is a very good, interesting article, Dolores.

    • FlourishAnyway profile image


      3 months ago from USA

      I’ve seen these lovely pieces but don’t own any. Your expertise is really remarkable. I have my great great grandmother’s set of china dishes no one else wanted, and I marvel at the size of the dinner plates compared to our modern standards. Times have certainly changed. Maybe it helps to explain modern obesity.

    • The Dirt Farmer profile image

      Jill Spencer 

      3 months ago from United States

      You have some lovely pieces. The Watteau in mulberry! So pretty. And who doesn't love Flow Blue? I have only one piece, and it's chipped, but beautiful still.

    • Dolores Monet profile imageAUTHOR

      Dolores Monet 

      3 months ago from East Coast, United States

      Hi Linda - I decided to write this article while I was researching some of my own pieces. Thanks!

    • Dolores Monet profile imageAUTHOR

      Dolores Monet 

      3 months ago from East Coast, United States

      Hi Ann - I love it all and have new as well as some older pieces.

    • lindacee profile image

      Linda Chechar 

      3 months ago from Arizona

      I love the Staffordshire transferware colors that are brown, green or black. I also like patterns of garden and pastoral scenes. I enjoyed your article about the different English and European transferware companies and their antique makers marks.

    • annart profile image

      Ann Carr 

      3 months ago from SW England

      Very interesting, Dolores! I love antiques but I didn't know anything about transferware.

      Thanks for the education.



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