Creating Fantasy Nations (World Building II)

Updated on May 14, 2010

Eddings' World - Digitised Map by Crooty of DeviantArt


By this point you've got your map and the basics for one of your ideas. It's time to put people on these continents.

If you haven't already, ask yourself the basics about each culture you want to generate. Taken from World Building I, those are:

  • What are the needs of this culture? (Consider food, building materials, technologies and the position you'd like it to take in the rest of the world - eg. weak cultures require power relations to become stable. Don't go too far with this last point. You can develop more or less powerful cultures later.)
  • What are the wants of this culture? (Consider luxury items, knowledge, technologies, military assistance, etc.)
  • How does this culture function? Is it patriarchal, matriarchal, hierarchical etc.? Is it internally peaceful, are there any civil wars or power struggles? Again, don't go into too much detail. If there is a disturbance in the function of this culture, you can decide what it is once you've reached the point of having an established world.

A common mistake is making each culture and nation too different from one another. Keep in mind that these people share the same planet. They may be different races, but some things will be universally true about them.

Leadership makes all the difference. Answering the question of 'how this culture functions' is enormously important. Whether they fish or farm is just an aside. It is important as a reality factor and can change the course of their story. But leadership is key.

The figurehead(s) of your nations work best when they are discernibly different to one another (note, in character, more than in racial traits). Like any other characters, they have their wants and needs. Those wants and needs are far more likely to shape the progress of the world you're building. When I go on to Character Creation, I will explain in more detail why these wants and needs are so important. For now, decide them.

Remember, everything can be changed later. If you dislike something, it isn't set in stone. This is only one reason why advance-planning in this genre is useful. If you've written 20,000 words and suddenly decide that King Hoogaboom is Queen Hoogaboom, don't underestimate how much rewriting that will be. You will have to comb through it, change scenes, potentially change how the character responds to a situation and how the rest of the world views him/her.

Some people find this easy. Some people find this hard. Whichever one you are, do not, for the love of all things pronounceable, go to an online Fantasy Name Generator. You will get things like Xygrophrnilaknib. See how offputting that is? I have seen names like 'Wyldrigrenkledrysllthen' that after a moment you can pronounce - but still stutter at for the next six times he's mentioned.

Remember that national names will also need to be modified. If you pick Xygrophrnilaknib for the name of a nation, you're also going to need the people to be Xygrophrnilaknib-ese/ish/an. Admittedly, it's an extreme example. But it has been done, and I do see it done now. Word to the wise, Goodkind managed a successful series with names like Richard and Michael, and vague place names like 'Midlands' and 'Westland'. It can be done.

Note down words you like the sound of and edit a few letters. Bear in mind, that if the name remains similar to the word, there will be assumptions placed on that culture from the start. If you call a city Avarice, you can expect your reader to think it's full of greedy people.
You can go too far in simplifying names. It is difficult to make somewhere or someone convincing if you've called them 'Moonshine Greenleaf'. If you're going for the route of mixing words up, find ones that are less cliché.

International Relations

You've established the wants and needs of these nations. The best way to begin understanding how they get along, is to look at those wants and needs. Do any of them clash? Do any coincide with one another? If so, you're set up for rivalries and alliances. If you've managed to get a handle on your national leaders (if you only have vague outlines, or a name, at this point, don't worry about it), do any of their personalities clash?
Remember that a patriotic country usually has ideals that it is the greatest nation on earth (both England and America are amongst the countries to do this, and historically, Rome and the Ottoman Empire did the same).
Things to be aware of:

  • A Kingdom is a country ruled by Royalty.
  • A County is a section of a country usually managed by the Duchy or Count/Earl (or equivalent of) who are typically loyal to the King. If there is civil war, loyalty can be in question.
  • An Empire is not one nation alone. In order to create an Empire and become an Emperor, a King must have either annexed or dominated at least one other nation. There can be Kings under an Emperor if he chooses to keep them intact.

I say the above because of the frequent mistakes I've read over time. Confusing them once again takes the trust of the reader away from you.

Weaker nations rely on good natured trade or military protection from stronger nations - otherwise they'd not exist, should said stronger nation be aggressive. When you set up relations, keep in mind that the people in these nations don't need to like one another. Conflict is fun, don't be afraid of it. It again sets you up well in the future. Conflict creates some great character opportunities and banter.

You can go into detail on politics, if you really want to. I do because most of my characters have political influence. But really, provided you've given the country a method of leadership (King/Queen, Emperor/Empress, Clan Chief, Senate, etc.) and know vaguely how it works, it should carry you along. If your protagonist never goes near anything political, it isn't necessary to delve into the intricacies of which faction is for the King and which is for the Senate. You're just wasting time complicating a situation you'll never come across.

If you're unsure about whether your protagonist will ever come into contact with a politician or ruler, do this part anyway. Politics can create some very interesting characters, and you'll want every avenue open when it comes to the writing process.
If you intend to build on politics, ask:

  • What kind of leadership does this nation have?
  • Are there disagreements about what kind of leadership it ought to have? If so, what do the other faction want?
  • Do other nations have a say in the internal politics of this country?
  • Does the leader have strong control over disagreeing minorities? Or is the disagreement a majority?

By the time you've answered these, you'll already have some great drama potential. Politics can get intricate. Very intricate. Be wary of going too far. Unless you're writing for a politically interested audience, you're going to need to gloss over all but the important bits.

Internal Politics and Civil War

As much as politics is the realm of the nobility, civil war affects everyone. If you decide to have a civil war in place, remember that when your protagonist comes into contact with it, everything will be affected. Trade routes will often be shut down. Brigands will take up toll occupancy on the roads. Nobles will be sucking up everyone they can to feed their militia, especially if you decide to base the civil war in a feudal society. The economy will be crumbling. All of this can affect your characters heavily. There is little to no chance they could breeze through a country embroiled in civil war.

If you've already decided on your protagonist and this is their home nation, you should bear the above in mind. A nice, fluffy home on a farm isn't realistic. Farms would have been sacked for their food. They would have been put to work for the noble in question. You want your reader to engage with your character. Very few people came from a perfectly idyllic background. In reality, those times in life are reserved for distant childhood and often short moments in adulthood (until retirement, one could hope).

Be realistic, is the bottom line. Do your research. Find out how things really were. Modify it. Use it.


Try to avoid cliché. The 'humans, elves and dwarves' have been used so much that it turns a good portion of fantasy readers off. Yes, it's easy, everyone who's read/watched The Lord of the Rings Trilogy or played any Fantasy MMORPG or Warhammer Tabletop knows what they are. We know humans are stupid and mortal. We know elves are snooty and have some gift of longevity. We know dwarves are small, hairy and like to drink.

Avoid the stereotype. Use the races if you really want to, but give them something that makes them different from the norm. A good example would be the Druchii in the Warhammer game/books/MMORPG. Dark Elves, to you and me, who were admittedly snooty - but they didn't live in trees or beautiful houses, and neither were they very nice. Their children ran races to put human heads on spikes. They loathed other elves. They ran Arks to capture slaves for sacrifice. They had a matriarchal society with a King underneath his Witch-Mother's thumb. They had religious turmoil that resulted in the Queen Mother and High Priestess constantly warring with one another. The King had been banished from his homeland by his brother after walking through sacred fire and being hideously mutilated. His body was fused to his armour.

That kind of 'race mutilation', if you like, makes things interesting. If you throw something at your reader that they already know, they aren't going to be half as interested. A new society that piddles on their expectations of them catches interest. Fantasy readers are accustomed to learning as they go. It's necessary to understand the novel in their hands (or the game they are playing, if you're looking at this from a game-writing perspective). Give them something to do. Make it as interactive as possible. Teach them about your creations.

I personally don't use fantasy races all that often. I have centaurs in my present project. The rest of them are humanoids with different physical traits, the same as today's races differ from one another. You don't need extreme differences. However, there are some very interesting choices on races out there, some of which are listed below. Enjoy mutilating them. Make them your own.

  • Humans
  • Elves
  • Dwarves
  • Centaurs
  • Fairies/Faeries/Fae Folk
  • Fawns/Satyrs
  • Demons/Succubi/Incubi
  • Undead
  • Orcs/goblins/greenskins
  • Trolls/ogres/gremlins
  • Anthropomorphic animals
  • Mythical Creatures (Dragons, phoenixes, unicorns, pegasi, kirin, etc.)
  • Mermaids/sea creatures
  • Treefolk/dryads/trees
  • Cyclops/golems/elementals

And these are only some of the potential races offered to you. You can make up your own. Maintain their racial traits and develop their natural advantages. Golems would make excellent miners, but I doubt they'd swim all too well.

If you've already worked out whether this country has a resource worth trading, you'll know whether they have a boon to their economy or not. You will need some form of currency. Global currencies tend to run along 'gold, silver, copper'. You can do what you like with it, provided it makes numerical sense.
Trade relations are relatively easy to go through.

  • What does one nation have that the other wants?
  • How is it transported?
  • Into which cities are the goods transported?
  • How much does the nation rely on this trade?

And for now, that's all you need to hear from me. I'll no doubt return to lecture you on my thoughts later.



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    • profile image

      Bastendorf 2 months ago

      Why wouldn't this link back to part 1? My website has tutorials, and my tutorials always link forward to next and back previous parts.

      Protip: You should also work on the depth of your tutorials.

    • profile image

      CoolSerdash 3 months ago

      i cant make a shape help,

    • profile image

      donna 4 years ago

      Loved the article and I too am an Eddings fan! Where might I find the Worldbuilding I article? I did not see a link but it was mentioned in the first part of the article. If you could send me a link that would be great!

    • SwanofWar profile image

      SwanofWar 7 years ago from In My Imagination

      Again, wonderful advice for developing fantasy writers. The key is 'The sky is the limit, but don't hit the ceiling.'

    • Pocketbrit profile image

      Pocketbrit 7 years ago from Doncaster, UK

      My partner once met Eddings, I'm insanely jealous. She lived in Spokane when she was younger. Such a shame he passed.

      I'll have to hunt out Tad Williams. Scott Lynch is also an excellent read, if you can get hold of his stuff.

    • Thorn058 profile image

      Thorn058 7 years ago from Grand Forks, ND

      I think more than any other author Eddings shaped what I try to accomplish in my writing as far as character development and really giving the characters a voice and their interactions with other characters. The relationship of Polgara and Uncle Beldin for example very well done.

      The other huge influence for me has to be Tad Williams. i don't know if you have ever read his work but it is just down right stunning. He deals with huge casts of characters all facing multiple story lines that seem jumbled and convoluted and somehow in the end he brings everything together and it makes you wonder how the heck he did it. Really an excellent example of plot complexity.

    • Pocketbrit profile image

      Pocketbrit 7 years ago from Doncaster, UK

      Thank you! I'm an Eddings fan myself. I read the Belgariad eleven years ago, and go back every year to go through his Garion stories. Polgara shaped a lot of my writing influence and me as a person. Thanks for commenting. :)

    • Thorn058 profile image

      Thorn058 7 years ago from Grand Forks, ND

      A very good analysis of world building. I was immediately drawn in by the title on your map picture as I am a huge Eddings fan and have always enjoyed his take on writing fantasy. Good job